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These Infinite Threadsis an epic, romantic fantasy based on Persian folklore that picks up at the explosive cliffhanger of the New York Times bestselling novel This Woven Kingdom. It is perfect for fans of Leigh Bardugo, Tomi Adeyemi, and Sabaa Tahir. Join Alizeh, a long-forgotten queen destined to save her people, and Kamran, the crown prince of an opposing empire, as their worlds collide and power breeds betrayal.
If you would like These Infinite Threads, make sure to select this book during Customization Week. If you do not choose a book during Customization Week, you will receive the main title, The Last Tale of the Flower Bride. If you would like both the main title book, The Last Tale of the Flower Bride, and These Infinite Threads, be sure to add a separate Book-only Subscription to your order.
Welcome to Runners Who Read, the official book club of Atlanta Track Club! This will be a community where you can share thoughts and perspective on the selected books, while learning the same from others. The goal is to have fun and meaningful discussions, all united by a shared love of running.
Each month will be dedicated to a different running-related book with weekly blog postings containing guided discussion questions.Participants are asked to engage as much or as little as they'd like; sharing thoughts, reactions and questions while they read.
Hello everyone, my name is Olivia Baker and I'm one of the elite 800m runners for Atlanta Track Club. I grew up in South Orange, NJ and graduated from Stanford University in the class of 2018 with a degree in Human Biology before running professionally for 3 years in Austin, Texas and recently moving to Atlanta. During my time at Stanford, I was a 7-time first team All-American and have since qualified for four USATF National Championships with a career best placing of 3rd in the 600m at the 2019 Indoor Championships. Outside of running, you can find me playing board games, watching sports, reading, or exploring new hiking trails in the area.
How to Read a Book is a book by the American philosopher Mortimer J. Adler. Originally published in 1940, it was heavily revised for a 1972 edition, co-authored by Adler with editor Charles Van Doren. The 1972 revision gives guidelines for critically reading good and great books of any tradition. In addition, it deals with genres (including, but not limited to, poetry, history, science, and fiction), as well as inspectional and syntopical reading.
Here, Adler sets forth his method for reading a non-fiction book in order to gain understanding. He claims that three distinct approaches, or readings, must all be made in order to get the most possible out of a book, but that performing these three levels of readings does not necessarily mean reading the book three times, as the experienced reader will be able to do all three in the course of reading the book just once. Adler names the readings "structural", "interpretative", and "critical", in that order.
Structural Stage: The first stage of analytical reading is concerned with understanding the structure and purpose of the book. It begins with determining the basic topic and type of the book being read, so as to better anticipate the contents and comprehend the book from the very beginning. Adler says that the reader must distinguish between practical and theoretical books, as well as determining the field of study that the book addresses. Further, Adler says that the reader must note any divisions in the book, and that these are not restricted to the divisions laid out in the table of contents. Lastly, the reader must find out what problems the author is trying to solve.
Interpretive Stage: The second stage of analytical reading involves constructing the author's arguments. This first requires the reader to note and understand any special phrases and terms that the author uses. Once that is done, Adler says that the reader should find and work to understand each proposition that the author advances, as well as the author's support for those propositions.
Critical Stage: In the third stage of analytical reading, Adler directs the reader to critique the book. He asserts that upon understanding the author's propositions and arguments, the reader has been elevated to the author's level of understanding and is now able (and obligated) to judge the book's merit and accuracy. Adler advocates judging books based on the soundness of their arguments. Adler says that one may not disagree with an argument unless one can find fault in its reasoning, facts, or premises, though one is free to dislike it in any case.
Adler explains for whom the book is intended, defines different classes of reading, and tells which classes will be addressed. He also makes a brief argument favoring the Great Books, and explains his reasons for writing How to Read a Book.
The idea that communication directly from those who first discovered an idea is the best way of gaining understanding is Adler's argument for reading the Great Books; that any book that does not represent original communication is inferior, as a source, to the original, and that any teacher, save those who discovered the subject he or she teaches, is inferior to the Great Books as a source of comprehension.
Adler spends a good deal of this first section explaining why he was compelled to write this book. He asserts that very few people can read a book for understanding, but that he believes that most are capable of it, given the right instruction and the will to do so. It is his intent to provide that instruction. He takes time to tell the reader about how he believes that the educational system has failed to teach students the art of reading well, up to and including undergraduate, university-level institutions. He concludes that, due to these shortcomings in formal education, it falls upon individuals to cultivate these abilities in themselves. Throughout this section, he relates anecdotes and summaries of his experience in education as support for these assertions.
Anyone aged 18 or over, who has a passion for reading and values freedom and flexibility in work, can apply for the job. As we are a 100% remote company, you can work how much you want, whenever you want, and from wherever you want. We require a stable internet connection and high proficiency in English.
WordsRated is a non-commercial organization dedicated to discovering insightful data about books, literature, and the publishing industry. Our studies and statistics are unique, free, and available to everyone.
Our team is 100% remote and our employees are located in the USA, Denmark, Spain, Serbia, Ukraine, and the Philippines, among others. You will be joining a diverse team with a shared passion for books and data.
WordsRated is a non-commercial, international research data and analytics group.Through detailed research projects, we tackle the big issues concerning reading, books, authors, and the publishing industry to inform and entertain.
The BOOK IT! Program works at home, in schools and in the community to inspire a lifelong love of reading in students. We offer homeschool, summer and classroom programs, as well as grants to eligible educators for books and educational resources through our nonprofit partner, First Book.
Our traditional BOOK IT! Program is still going strong after 30+ years. We welcome teachers to enroll their PreK through sixth-grade classrooms for our FREE reading incentive program. We offer two ways to participate, paper or digital.
Reading gives us access to great ideas, allows us peek into the minds of the smartest people, and gives us fuel to be valuable contributors in conversations. But who really has time to read every book that would help us as business leaders? Everyone, according to the author, because the key to reading is not taking in every word, but understanding the concepts that the author presents. Following his advice, you have the potential to read at least one nonfiction book a week. The formula comes down to being engaged with the material, keeping your mind alert, and actively trying to figure out what the book really means.
Ironically, as a history major, I was reading three to four books a week. And Gloria was right: through these books, I had a seat at the table. I was part of a cutting-edge conversation that was going on between great minds.
So how can we read a book or more a week? It turns out that what works best for me is following some advice I got while I was still in college. Michael Jimenez, a professor of Latin American history, was one of the best professors I ever had. One day I told him that I was struggling with the reading load.
Throughout my reading, I take notes in preparation for my conversation with the author. Where do I agree? Where do I disagree? What questions are still simmering? What might I want to discuss with others or think more about in the coming days? These notes are a good idea for every reader to take.
When I started my podcast, it was with the intention of giving people spectator seats to conversations I was having with smart, thoughtful people about their passions, learnings, and perspectives. What took me a little by surprise is how much we all already have access to those people simply by reading them. Yes, I am enriched by these conversations. But 90% of that is because I have read what the author has written.
Since 2001, If All Arkansas Read the Same Book is an annual, statewide reading program designed to encourage the enjoyment of reading and promote book discussion in libraries of all types across Arkansas.
Pew Research Center has studied how Americans read books for years. For this analysis, we surveyed 1,502 U.S. adults from Jan. 25 to Feb. 8, 2021, by cellphone and landline phone. The survey was conducted by interviewers under the direction of Abt Associates and is weighted to be representative of the U.S. adult population by gender, race, ethnicity, education and other categories. Here are the questions, responses and methodology used for this analysis. 2b1af7f3a8